{"id":2120,"date":"2025-12-05T23:21:10","date_gmt":"2025-12-05T22:21:10","guid":{"rendered":"https:\/\/pxlmag.be\/?p=2120"},"modified":"2025-12-05T23:21:10","modified_gmt":"2025-12-05T22:21:10","slug":"jongeren-lezen-niet-maar-dat-is-eigenlijk-altijd-zo-geweest","status":"publish","type":"post","link":"https:\/\/pxlmag.be\/?p=2120","title":{"rendered":"&#8216;Jongeren lezen niet, maar dat is eigenlijk altijd zo geweest&#8217;"},"content":{"rendered":"\n<p>Van e-readers tot Booktok, de digitale cultuur zorgt ervoor dat de boekhandel steeds minder nodig is als we willen lezen. En willen we nog wel lezen? Ondanks de donkere berichtgeving over jongeren en lezen bekijkt Jan Feys van onafhankelijke boekhandel Malpertuis in Genk de toestand niet negatief. <\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-rich is-provider-soundcloud wp-block-embed-soundcloud\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"&quot;Jongeren die niet lezen is niets nieuws&quot; by Nick Martens\" width=\"500\" height=\"400\" scrolling=\"no\" frameborder=\"no\" src=\"https:\/\/w.soundcloud.com\/player\/?visual=true&#038;url=https%3A%2F%2Fapi.soundcloud.com%2Ftracks%2F2224774445&#038;show_artwork=true&#038;maxheight=750&#038;maxwidth=500\"><\/iframe>\n<\/div><\/figure>\n\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Van e-readers tot Booktok, de digitale cultuur zorgt ervoor dat de boekhandel steeds minder nodig is als we willen lezen. En willen we nog wel lezen? Ondanks de donkere berichtgeving&hellip;<\/p>\n","protected":false},"author":22,"featured_media":2121,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[32,30],"tags":[],"class_list":["post-2120","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-kunst-cultuur","category-nieuwslab"],"mb":[],"featured_image_url":{"thumbnail":"https:\/\/pxlmag.be\/wp-content\/uploads\/2025\/12\/Malpertuis-cover-150x150.jpg","medium":"https:\/\/pxlmag.be\/wp-content\/uploads\/2025\/12\/Malpertuis-cover-300x225.jpg","medium_large":"https:\/\/pxlmag.be\/wp-content\/uploads\/2025\/12\/Malpertuis-cover-768x576.jpg","large":"https:\/\/pxlmag.be\/wp-content\/uploads\/2025\/12\/Malpertuis-cover-1024x768.jpg","1536x1536":"https:\/\/pxlmag.be\/wp-content\/uploads\/2025\/12\/Malpertuis-cover-1536x1152.jpg","2048x2048":"https:\/\/pxlmag.be\/wp-content\/uploads\/2025\/12\/Malpertuis-cover-2048x1536.jpg"},"post_author":"Nick Martens","assigned_categories":"Kunst &amp; cultuur, NieuwsLab","mfb_rest_fields":["title","featured_image_url","post_author","assigned_categories"],"_links":{"self":[{"href":"https:\/\/pxlmag.be\/index.php?rest_route=\/wp\/v2\/posts\/2120","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/pxlmag.be\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/pxlmag.be\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/pxlmag.be\/index.php?rest_route=\/wp\/v2\/users\/22"}],"replies":[{"embeddable":true,"href":"https:\/\/pxlmag.be\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=2120"}],"version-history":[{"count":1,"href":"https:\/\/pxlmag.be\/index.php?rest_route=\/wp\/v2\/posts\/2120\/revisions"}],"predecessor-version":[{"id":2122,"href":"https:\/\/pxlmag.be\/index.php?rest_route=\/wp\/v2\/posts\/2120\/revisions\/2122"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/pxlmag.be\/index.php?rest_route=\/wp\/v2\/media\/2121"}],"wp:attachment":[{"href":"https:\/\/pxlmag.be\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=2120"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/pxlmag.be\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=2120"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/pxlmag.be\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=2120"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}