{"id":2047,"date":"2025-12-05T16:10:32","date_gmt":"2025-12-05T15:10:32","guid":{"rendered":"https:\/\/pxlmag.be\/?p=2047"},"modified":"2025-12-05T16:10:32","modified_gmt":"2025-12-05T15:10:32","slug":"gitaarbouwer-pim-raaijmakers-vertelt-waarom-zijn-gitaren-zo-bijzonder-zijn","status":"publish","type":"post","link":"https:\/\/pxlmag.be\/?p=2047","title":{"rendered":"Gitaarbouwer Pim Raaijmakers vertelt waarom zijn gitaren zo bijzonder zijn"},"content":{"rendered":"\n<p>De trap van een school als gitaar? Of het karton van de doos waar je nieuwe barbecue in zat? Dat kan, Pim Raaijmakers is al 17 jaar gitaarbouwer. Maar de elektrische gitaren die hij maakt zijn niet hetzelfde als die in de winkel.<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-rich is-provider-soundcloud wp-block-embed-soundcloud\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Gitaarbouwer Pim Raaijmakers by Journalistvandenberg\" width=\"500\" height=\"400\" scrolling=\"no\" frameborder=\"no\" src=\"https:\/\/w.soundcloud.com\/player\/?visual=true&#038;url=https%3A%2F%2Fapi.soundcloud.com%2Ftracks%2F2224563053&#038;show_artwork=true&#038;maxheight=750&#038;maxwidth=500\"><\/iframe>\n<\/div><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>De trap van een school als gitaar? Of het karton van de doos waar je nieuwe barbecue in zat? Dat kan, Pim Raaijmakers is al 17 jaar gitaarbouwer. Maar de&hellip;<\/p>\n","protected":false},"author":25,"featured_media":2049,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[32,30],"tags":[],"class_list":["post-2047","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-kunst-cultuur","category-nieuwslab"],"mb":[],"featured_image_url":{"thumbnail":"https:\/\/pxlmag.be\/wp-content\/uploads\/2025\/12\/foto-gitaar-150x150.png","medium":"https:\/\/pxlmag.be\/wp-content\/uploads\/2025\/12\/foto-gitaar-300x202.png","medium_large":"https:\/\/pxlmag.be\/wp-content\/uploads\/2025\/12\/foto-gitaar-768x516.png","large":"https:\/\/pxlmag.be\/wp-content\/uploads\/2025\/12\/foto-gitaar-1024x688.png","1536x1536":"https:\/\/pxlmag.be\/wp-content\/uploads\/2025\/12\/foto-gitaar.png","2048x2048":"https:\/\/pxlmag.be\/wp-content\/uploads\/2025\/12\/foto-gitaar.png"},"post_author":"Anne van den Berg","assigned_categories":"Kunst &amp; cultuur, NieuwsLab","mfb_rest_fields":["title","featured_image_url","post_author","assigned_categories"],"_links":{"self":[{"href":"https:\/\/pxlmag.be\/index.php?rest_route=\/wp\/v2\/posts\/2047","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/pxlmag.be\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/pxlmag.be\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/pxlmag.be\/index.php?rest_route=\/wp\/v2\/users\/25"}],"replies":[{"embeddable":true,"href":"https:\/\/pxlmag.be\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=2047"}],"version-history":[{"count":1,"href":"https:\/\/pxlmag.be\/index.php?rest_route=\/wp\/v2\/posts\/2047\/revisions"}],"predecessor-version":[{"id":2051,"href":"https:\/\/pxlmag.be\/index.php?rest_route=\/wp\/v2\/posts\/2047\/revisions\/2051"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/pxlmag.be\/index.php?rest_route=\/wp\/v2\/media\/2049"}],"wp:attachment":[{"href":"https:\/\/pxlmag.be\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=2047"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/pxlmag.be\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=2047"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/pxlmag.be\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=2047"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}