{"id":2043,"date":"2025-12-05T15:31:37","date_gmt":"2025-12-05T14:31:37","guid":{"rendered":"https:\/\/pxlmag.be\/?p=2043"},"modified":"2025-12-05T17:34:11","modified_gmt":"2025-12-05T16:34:11","slug":"stijn-meuris-in-het-hol-van-de-leeuw-voor-zijn-nieuwe-voorstelling","status":"publish","type":"post","link":"https:\/\/pxlmag.be\/?p=2043","title":{"rendered":"Stijn Meuris in het hol van de leeuw voor zijn nieuwe voorstelling"},"content":{"rendered":"\n<p>\u2018Beeldspraak Oppe Bo\u00e2n\u2019 is de nieuwe voorstelling van columnist Stijn Meuris. Het publiek wordt meegenomen op een visuele tocht langs 25 jaar aan bijzondere en geestige foto\u2019s uit zijn column. De eerste echte primeur is voor studenten journalistiek aan de PXL in Hasselt.<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Stijn Meuris in het hol van de leeuw voor zijn nieuwe voorstelling\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/krdNaz6zwOs?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>\u2018Beeldspraak Oppe Bo\u00e2n\u2019 is de nieuwe voorstelling van columnist Stijn Meuris. Het publiek wordt meegenomen op een visuele tocht langs 25 jaar aan bijzondere en geestige foto\u2019s uit zijn column.&hellip;<\/p>\n","protected":false},"author":23,"featured_media":2044,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[32,30],"tags":[],"class_list":["post-2043","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-kunst-cultuur","category-nieuwslab"],"mb":[],"featured_image_url":{"thumbnail":"https:\/\/pxlmag.be\/wp-content\/uploads\/2025\/12\/Naamloos-1-150x150.jpg","medium":"https:\/\/pxlmag.be\/wp-content\/uploads\/2025\/12\/Naamloos-1-300x169.jpg","medium_large":"https:\/\/pxlmag.be\/wp-content\/uploads\/2025\/12\/Naamloos-1-768x432.jpg","large":"https:\/\/pxlmag.be\/wp-content\/uploads\/2025\/12\/Naamloos-1-1024x576.jpg","1536x1536":"https:\/\/pxlmag.be\/wp-content\/uploads\/2025\/12\/Naamloos-1-1536x864.jpg","2048x2048":"https:\/\/pxlmag.be\/wp-content\/uploads\/2025\/12\/Naamloos-1.jpg"},"post_author":"Stef Stans","assigned_categories":"Kunst &amp; cultuur, NieuwsLab","mfb_rest_fields":["title","featured_image_url","post_author","assigned_categories"],"_links":{"self":[{"href":"https:\/\/pxlmag.be\/index.php?rest_route=\/wp\/v2\/posts\/2043","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/pxlmag.be\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/pxlmag.be\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/pxlmag.be\/index.php?rest_route=\/wp\/v2\/users\/23"}],"replies":[{"embeddable":true,"href":"https:\/\/pxlmag.be\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=2043"}],"version-history":[{"count":2,"href":"https:\/\/pxlmag.be\/index.php?rest_route=\/wp\/v2\/posts\/2043\/revisions"}],"predecessor-version":[{"id":2078,"href":"https:\/\/pxlmag.be\/index.php?rest_route=\/wp\/v2\/posts\/2043\/revisions\/2078"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/pxlmag.be\/index.php?rest_route=\/wp\/v2\/media\/2044"}],"wp:attachment":[{"href":"https:\/\/pxlmag.be\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=2043"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/pxlmag.be\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=2043"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/pxlmag.be\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=2043"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}