{"id":1465,"date":"2025-04-25T12:16:36","date_gmt":"2025-04-25T10:16:36","guid":{"rendered":"https:\/\/pxlmag.be\/?p=1465"},"modified":"2025-04-30T15:01:15","modified_gmt":"2025-04-30T13:01:15","slug":"immersive-music-centraal-in-bootstraat","status":"publish","type":"post","link":"https:\/\/pxlmag.be\/?p=1465","title":{"rendered":"Immersive Music centraal in Bootstraat &#8211; door Meike Cich en Catalina Gelders"},"content":{"rendered":"\n<p>In de Bootstraat vindt vandaag de&nbsp;<em>Immersive Music Evening<\/em>&nbsp;plaats.&nbsp;Bezoekers worden er omringd&nbsp;door audio die allesbehalve mono is. Verschillende studenten van PXL Music tonen hier waar ze al maanden aan werken.<\/p>\n\n\n\n<p>Aiden Clarke, derdejaarsstudent, verdiepte zich in hoe psycho-akoestiek onze luisterervaring be\u00efnvloedt.&nbsp;\u201cDit is de manier waarop mensen geluid waarnemen, verwerken en beleven. De geluiden sturen je letterlijk in een bepaalde richting.\u201d<\/p>\n\n\n\n<p>Steven Maes,&nbsp;co\u00f6rdinator van&nbsp;<em>Immersive Music Day<\/em>&nbsp;bij PXL,&nbsp;heeft een eigen studio.<br>Artiesten&nbsp;die zijn studio bezoeken om hun eigen stukken in immersive te beluisteren,&nbsp;pinken op het einde vaak een traantje weg. \u201cIk kan&nbsp;<em>immersive music<\/em>&nbsp;in \u00e9\u00e9n woord beschrijven: emotie.\u201d<\/p>\n","protected":false},"excerpt":{"rendered":"<p>In de Bootstraat vindt vandaag de&nbsp;Immersive Music Evening&nbsp;plaats.&nbsp;Bezoekers worden er omringd&nbsp;door audio die allesbehalve mono is. Verschillende studenten van PXL Music tonen hier waar ze al maanden aan werken. Aiden&hellip;<\/p>\n","protected":false},"author":1,"featured_media":1466,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[23,4],"tags":[],"class_list":["post-1465","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-liveblog","category-redactie-1"],"mb":[],"featured_image_url":{"thumbnail":"https:\/\/pxlmag.be\/wp-content\/uploads\/2025\/04\/IMG_8521-2-150x150.jpeg","medium":"https:\/\/pxlmag.be\/wp-content\/uploads\/2025\/04\/IMG_8521-2-300x225.jpeg","medium_large":"https:\/\/pxlmag.be\/wp-content\/uploads\/2025\/04\/IMG_8521-2-768x576.jpeg","large":"https:\/\/pxlmag.be\/wp-content\/uploads\/2025\/04\/IMG_8521-2-1024x768.jpeg","1536x1536":"https:\/\/pxlmag.be\/wp-content\/uploads\/2025\/04\/IMG_8521-2-1536x1152.jpeg","2048x2048":"https:\/\/pxlmag.be\/wp-content\/uploads\/2025\/04\/IMG_8521-2-2048x1536.jpeg"},"post_author":"Bjorn Roes","assigned_categories":"Liveblog, Redactie 1","mfb_rest_fields":["title","featured_image_url","post_author","assigned_categories"],"_links":{"self":[{"href":"https:\/\/pxlmag.be\/index.php?rest_route=\/wp\/v2\/posts\/1465","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/pxlmag.be\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/pxlmag.be\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/pxlmag.be\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/pxlmag.be\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1465"}],"version-history":[{"count":2,"href":"https:\/\/pxlmag.be\/index.php?rest_route=\/wp\/v2\/posts\/1465\/revisions"}],"predecessor-version":[{"id":1473,"href":"https:\/\/pxlmag.be\/index.php?rest_route=\/wp\/v2\/posts\/1465\/revisions\/1473"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/pxlmag.be\/index.php?rest_route=\/wp\/v2\/media\/1466"}],"wp:attachment":[{"href":"https:\/\/pxlmag.be\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1465"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/pxlmag.be\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1465"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/pxlmag.be\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1465"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}