{"id":1453,"date":"2025-04-24T16:33:57","date_gmt":"2025-04-24T14:33:57","guid":{"rendered":"https:\/\/pxlmag.be\/?p=1453"},"modified":"2025-04-26T11:48:44","modified_gmt":"2025-04-26T09:48:44","slug":"studenten-van-pxl-education-onder-de-indruk-van-film-bxl","status":"publish","type":"post","link":"https:\/\/pxlmag.be\/?p=1453","title":{"rendered":"Studenten van PXL Education onder de indruk van film \u2018BXL\u2019 &#8211; door Ilya Balcer"},"content":{"rendered":"\n<p>De studenten van PXL Education trokken naar Kinepolis Hasselt om de film BXL van Ish Ait Hamou en zijn broer Monir te bekijken. De film schetst een rauw en eerlijk beeld van het leven in Brussel, met thema\u2019s zoals drugsgeweld en de zoektocht naar identiteit.<\/p>\n\n\n\n<p>\u201cHet was een leuke film,\u201d zegt student C\u00e9dric Fourrier. \u201cInteressant om Brussel te zien door de ogen van mensen die er echt wonen.\u201d Volgens hem is het belangrijk dat leerkrachten begrijpen waar bepaald gedrag van jongeren vandaan komt. \u201cAls een leerling boos is, moeten we niet meteen reageren met kwaadheid, maar nadenken over de oorzaak.\u201d Volgens C\u00e9dric hielp de film om echt te voelen en te begrijpen wat jongeren doormaken als ze opgroeien in moeilijke omstandigheden.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>De studenten van PXL Education trokken naar Kinepolis Hasselt om de film BXL van Ish Ait Hamou en zijn broer Monir te bekijken. De film schetst een rauw en eerlijk&hellip;<\/p>\n","protected":false},"author":2,"featured_media":1455,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[23,4],"tags":[],"class_list":["post-1453","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-liveblog","category-redactie-1"],"mb":[],"featured_image_url":{"thumbnail":"https:\/\/pxlmag.be\/wp-content\/uploads\/2025\/04\/IMG_2138-150x150.jpeg","medium":"https:\/\/pxlmag.be\/wp-content\/uploads\/2025\/04\/IMG_2138-300x225.jpeg","medium_large":"https:\/\/pxlmag.be\/wp-content\/uploads\/2025\/04\/IMG_2138-768x576.jpeg","large":"https:\/\/pxlmag.be\/wp-content\/uploads\/2025\/04\/IMG_2138-1024x768.jpeg","1536x1536":"https:\/\/pxlmag.be\/wp-content\/uploads\/2025\/04\/IMG_2138-1536x1152.jpeg","2048x2048":"https:\/\/pxlmag.be\/wp-content\/uploads\/2025\/04\/IMG_2138-2048x1536.jpeg"},"post_author":"Jeroen Schreurs","assigned_categories":"Liveblog, Redactie 1","mfb_rest_fields":["title","featured_image_url","post_author","assigned_categories"],"_links":{"self":[{"href":"https:\/\/pxlmag.be\/index.php?rest_route=\/wp\/v2\/posts\/1453","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/pxlmag.be\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/pxlmag.be\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/pxlmag.be\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/pxlmag.be\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1453"}],"version-history":[{"count":3,"href":"https:\/\/pxlmag.be\/index.php?rest_route=\/wp\/v2\/posts\/1453\/revisions"}],"predecessor-version":[{"id":1469,"href":"https:\/\/pxlmag.be\/index.php?rest_route=\/wp\/v2\/posts\/1453\/revisions\/1469"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/pxlmag.be\/index.php?rest_route=\/wp\/v2\/media\/1455"}],"wp:attachment":[{"href":"https:\/\/pxlmag.be\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1453"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/pxlmag.be\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1453"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/pxlmag.be\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1453"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}